以往我们能看到的大部分种族歧视电影，都好像是黑人占了少数部分，而倍受歧视。这部电影不一样的就在于，少数的白人，意大利人，韩国人等相反成了少数群体，在艰难生存。“肤色”是黑人的种族伤疤，无法抹去，你可以忽视它，但一旦产生了某种不对等，便疼痛发痒。因而歧视就变成了，外人小心翼翼在圈外打转，圈内自嘲，一旦相交，矛盾就会迅速膨胀，团结在一类群体面对威胁时最容易产生的。甚至失去理智，失去尊严，失去控制。收音机男的死亡是一个悲剧，是种族歧视带给歧视方和被歧视方的共同悲剧，拉响了暴力警报…
Spike Lee films a one-day story in Brooklyn, a black metropolis. What interesting is that it is not a story about gangs, drugs, but an ordinary story about neighborhood and daily life, although it ends with a unordinary riot and looting. We all know a good story should have contradiction even confrontation. In this story it is not a confrontation as we imagine between black and whites, but black and immigrants, no matter the Italian, or the Korean, who are actually the minority in this community or in the American. Another interesting thing is that a number of scenes in the film are linked with real incidents and issues happened before, eg, the place Pizzaria, the mayoral campaign, etc. Scholars tend to interpret this as expression of Spike Lee’s political view.
什么是黑人？黑人不再是被肤色所定义的群体，所以亚裔韩国人害怕的说我也是黑人，你们不要伤害我。所以给白人打工的黑人小哥虽然念及与老板之间的恩情但依然在当下他似乎成为了黑人群体的代表所以第一个砸了这家引起人们怒火的店。口吃的白人在大火中脸庞被染成黑色，这一象征意义再明显不过。消防水不仅需要浇灭人们夏天的燥热更应该被浇灭的是人们之间因为猜忌而产生的怒火，和非理性的暴力宣泄，人们乘机借怒火之名行不义之事。
如果最应该被毁灭的，那一定不是这家从小陪伴街区的人们长大的披萨店
【为所应为】有味道！An Eye For An Eye,同态复仇下的暴力民主
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