与其说这是一部讲述爱的电影,我觉得这更像是一部探索“欲望”与“关系”的电影。它其中的流动性和愉悦感是观影体验中非常宝贵的感受,像给精神做了一场免费的芳香精油SPA,身心愉悦。
男女主在影片前半段的见面都是快乐地,明媚的,配合着舒缓的音乐。虽然两位主人公(尤其是女主)是以愿意保持关系的快乐为前提进行偷情,但观众能感到在每次见面后在这种不断升温的感情下,对对方的欲望已经呼之欲出。
- 追逐:影片中多次出现追逐的画面,不是用力奔跑,而是像风情画中的嬉戏,让整部电影的基调变得温柔有趣
An extramarital affair blossoms and in time, withers in French actor/director Emmanuel Mouret’s eleventh feature film DIARY OF A FLEETING AFFAIR, which revolves around Charlotte (Kiberlain) and Simon (Macaigne), she is a single mother and he is a married man. The film chronologically recounts their intermittent rendezvous, with audience precluded from seeing anything about their lives outside the affair. A strategy pays great dividends because audience could refrain from
《短暂的偷情纪实》在激情和爱情之间探索无限可能
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